Showcasing the most influential designs and designers from 1900 to the present, this outstanding collection illustrates how the best ideas perpetuate themselves over time, one great concept inspiring the next. More than one hundred seminal images - one from each year - are shown alongside the works that preceded their creation and the designs that were inspired or evolved from them. Examples include work from both famous and anonymous graphic artists - from Toulouse-Lautrec and Milton Glaser to Peter Saville and Michel Gondry - visually juxtaposing each example to reveal a theme or artistic device. Формат: 23 см x 30,5 см.
As an attempt to expose the functionality of academic research in management conducted in Divine Word College of Calapan, this research would explore the elements that have contributed to the utilization or non-utilization (in the context of this paper, the term functionality is used) of academic research in management namely relevance viewed from the lens of timeliness and the recipients’ needs in relation to policy or program concerns (Averch, 1975); communication by result dissemination (Glaser & Taylor, 1973); credibility in terms of comparison with research outputs and the quality of paper itself (Lincoln & Guba, 1985); and applicability in terms of transferability and fittingness (Merriam, 1998).
The purpose of this grounded theory study was to examine the process by which people with Mild Traumatic Brain Injury (MTBI) access information on the web. In 2007, the Centers for Disease Control estimated 3.8 million new MTBIs annually in the U.S. The Web Content Accessibility Guidelines 1.0 for accessible web development offer few that support the needs of users with cognitive disability, including MTBI and stroke. As WCAG progresses to 2.0 and beyond, this may change. In this study, nine MTBI survivors were interviewed and observed as they visited websites. Both the Glaser and Strauss and Strauss and Corbin models guided data analysis. The role of the user’s emotions, such as frustration or pleasure, to create a pleasing or dissatisfying experience, was a common theme from both models. The final visual matrix illustrates three stages during which the user accesses and processes information. User emotions and other elements inform success, or lack thereof, of the user choosing to remain on a page, move forward to a new page, or exit the site altogether. Implications are great for online education, industry, social networking, and other entities of interest to MTBI survivor.
The author examines if creativity concepts from Organization Studies are embedded in artistically-creative practice of music production in the genre rock music. Based upon ideas of postmodern thought, rock music is approached as a social practice of cultural production. The analysis is conducted as a qualitative in-depth case study on the rock group Queen. Empirical data is constructed by doing a ‘library study’ in Glaser/Strauss’s (1967/2010) sense, thus making use of all available text and audio-visual material about the band and its members since the 1970s. The author argues that Queen’s practices of cultural production organise Queen’s artistic creativity by giving form to Queen’s relations to self and others. By questioning her practice of researching artistic creativity, the author argues reflexivity to be an essential and natural element in any research. Thus, scientific projects already contain some form of reflexivity in the phase of study design and this reflexivity proceeds throughout the whole process of any research.
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