Veronica Mars is a kick-ass private investigator, smart and street-wise. But what can her character tell us about larger life issues, such as knowledge and skepticism, trust and friendship, revenge, race, gender, and feminism? What makes her tick? And why is Logan such a sarcastic bad boy, anyway? Veronica Mars and Philosophy features a thought-provoking collection of essays centered on philosophical issues brought forth in Veronica Mars, the critically acclaimed neo-noir detective series set in the fictional town of Neptune, California. Fans and newcomers alike will gain unique insights into the philosophical make-up of a hit show that tackled both crime and some of the larger mysteries of life. Introduces significant philosophical concepts that arise in the cult TV show, Veronica Mars Tackles topics relevant to contemporary youth culture, including trust and friendship, revenge, knowledge and skepticism, race, class, gender, and feminism Offers insights into darker themes explored in the series, which is noted for the complexity and intricate plotting of its storylines Delves deeply into the psychology of Veronica Mars during her transition from high school to college Written for fans of the television show, philosophy students or readers interested in popular culture Timed for release with the highly anticipated Veronica Mars feature film
Can love between a woman who’s over fifty and an eighteen-year-old young man be possible? Everything is in the global network! Can a guy fall in love with the same girl his grandfather used to love? Everything is possible in this incredible world! Why do we fall in love with those who hurt us, and why does this love, just like a tidal wave, sweeps away all barriers of reason? This book contains true love stories of different people who found each other online and in real life.
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Today we like to think that marriage is a free choice based on love: that we freely choose whom to marry and that we do so, not so much for survival or social advantage, but for love. The invention of marriage for love inverted the old relationship between love and marriage. In the past, marriage was sacred, and love, if it existed at all, was a consequence of marriage; today, love is sacred and marriage is secondary. But now marriage appears to be becoming increasingly superfluous. For the past forty years or so, the number of weddings has been declining, the number of divorces exploding and the number of unmarried individuals and couples growing, while single-parent families are becoming more numerous. Love has triumphed over marriage but now it is destroying it from inside. So has the ideal of marriage for love failed, and has love finally been liberated from the shackles of marriage? In this brilliant and provocative book Pascal Bruckner argues that the old tension between love and marriage has not been resolved in favour of love, it has simply been displaced onto other levels. Even if it seems more straightforward, the contemporary landscape of love is far from euphoric: as in the past, infidelity, loss and betrayal are central to the plots of modern love, and the disenchantment is all the greater because marriages are voluntary and not imposed. But the collapse of the ideal of marriage for love is not necessarily a cause for remorse, because it demonstrates that love retains its subversive power. Love is not a glue to be put in the service of the institution of marriage: it is an explosive that blows up in our faces, dynamite pure and simple.